I believe this is one of the most famous posters of all time. Everyone has seen this image and there have been countless parodies of it as well. It was created during WWI as propaganda to recruit soldiers for the American Army. Uncle Sam is depicted pointing at and staring into the eyes of the viewer, drawing them in. The use of an iconic figure (Uncle Sam) and the choice of the red, white and blue colors make it very patriotic. Uncle Sam personifies the United States and is a man associated with the qualities of fairness, reliability, honesty, and who is devoted to his country. The “YOU” is the most prominent word. It is larger than the rest and a different color, which again draws the viewer in. I believe this poster connects to the viewer in a very personal way (especially emotionally). This poster was so overwhelmingly successful that it was later used in WWII.
Monthly Archives: September 2013
Sushi/Plastic Pollution Poster
The major message this poster tries to convey is that polluting the ocean with garbage should be prevented because fish eat that garbage and we eat fish. I believe the designer decided to use this sans-serif typography because it is easy to read on a poster-sized paper, and the message is straight to the point. I also believe the designer used the color blue for the typeface to represent the blue of the ocean. The visual choices made were very clever. The picture is two pieces of sushi with a pair of chopsticks like it is ready to be eaten. The issue with these pieces of sushi is that the outside is wrapped in plastic, and the inside, where the raw fish is usually placed, contains more plastic remnants. The words connect very intimately with the graphic image because the words say that we eat fish and if fish ate plastic pollution we are essentially eating plastic. The picture shows exactly what the words are saying by showing plastic on and in the sushi pieces where food from the ocean usually is in sushi pieces. The poster met marketing goals by grabbing the attention of readers with an interesting visual, while having a bold, easy to read, and straight to the point message. It makes for a clever yet easy to comprehend poster. There is always room for possible improvements. I think that maybe the words could have been written on a path of a wave to drive home the ocean message even further. Additionally, one of the chopsticks could have pointed down toward the text to encourage the reader’s eye to read the message. Lastly, the logos in the bottom right could be smaller because the size they are now is a little distracting from the overall message.
Week 3 Blog Assignment Instructions: Poster
This week you are going to critique a poster. A strong poster should be not just visually attractive, but also communicative and understandable to the general audience. Research the Internet and choose a poster you like. Find out what design elements make the poster stand out. What is the major message the poster tries to convey? Why did the designer make such typography and visual choices (illustrations, photos, colors)? How did the words connect to the graphic elements? Did the poster fully achieve the its marketing goals? And is there any possible improvements?
- Post Deadline: September 13, 11:49 PM
- Comments Deadline: September 15, 11:49 PM
Wordmarks
I love both of these designs because they relays to me that wordmarks can be playful. For example, the first wordmark uses the letters y and g in its name to create a slide looking effect, as well as use different colors making it colorful and fun. The second wordmark may not have color, in fact it has no color, but what drew me into the design was the playful design on the letter e in its name. Something so simple can be so effective.
Outback and Disney Wordmark
This wordmark of the famous Australian steakhouse Outback, that is now open worldwide, does a phenomenal job of portraying the brand image in the name. The crumpled and irregular typeface of “Outback” and its bold, red color gives an impression of wildness, amazon, and jungle. This is carried on through all of their branding strategies. For instance, their television commercials are usually composed of having jungle, Australia, kangaroo, and wildness as the main themes. Furthermore, the thickness of the typeface also portrays masculinity, which is well paralleled with the actual interior design of this steakhouse.
Disney’s wordmark is probably one of the most famous of all times. Disney’s target audiences are children, which means the associated values that they want their target to associate with are friendly, fun, exciting, and magical- all at the same time. It’s whimsical and curly typeface gives an impression of magical fantasy, which is exactly what they wanted to portray to the audience. . The roundedness of the typefacess gives an impression of friendliness and warmth. However, the use of the color blue allows Disney to have a balance of both masculine and feminine. If the wordmark of Disney was a feminine or warm color, they could have possibly lost their male audiences.
Chocolate, chocolate and more chocolate
Hershey’s. Arguably the worlds most famous chocolate. The wordmark does much to make this chocolaty experience memoriable. Reminding much of something out of Charlie and the Chocolate Factory, this typeface is a pillar of originality and strength. The letters themselves are squared and all in capitals while also being given the effect that they are mounted (or lifting off the page) with the black line on one side and the reflecting light on the opposite side. They are equally spaced and in general very uniformed and neat.The color looks like a molten silver which springs from the wrapper as it contrasts with the deep creamy brown that is of course the color of the product inside. Hershey’s, founded in 1894 has made no changes to it’s wordmark, rather it just rotates around how it is colored and mounted. The longevity of this wordmark creates a memorable experience for all that enjoy its products as the customer recognizes it as more than a delicious treat, but also a company that has lasted the test of time.
Having been born and raised in New Zealand, I have found that this wordmark is much more common over that side of the world than it is in America. Unlike Hershey’s, the Cadbury brand is a lot more playful and colorful to look at. Combining the colors of purple and white, the wordmark gives the product a luxurious feel with purple being the color of royalty. While the Hershey typeface is square, straight and perfectly aligned, the word ‘Cadbury’ is artfully scrolled over the purple sphere with all letters linked and just the ‘C’ being in upper case. The typography itself is white but is also mounted on a softer purple than that of the background. I think that the typography and the background sphere give the idea of a creamy and delicious product. The way the purple has swirls rather than just being a flat color swatch makes it look like a molten mixture spiraling into itself. Overall this wordmark enhances its product with the use of color and the effortless floating letters all of which combine to entice a customer into buying the product.
Subway and Flickr
I chose the Subway wordmark for its amazing design. All the letters are upper capital, and connect tightly. These letter may be used Helvetica, which is one of the world’s most widely used typefaces. White, yellow, and green serve as the symbolic color of Subway, and the white and yellow color combination of its wordmark reveals its object—to provide healthy and fresh food for people. The most creative things are “S” and “Y” with the little arrows, relating the meaning of subway.
Flickr is a website that people can upload and share their photograph. The wordmark of Flickr utilizes all lower capital that looks friendly. The blue and pink color combination looks bright and interesting, which can easily attract people’s attention. It uses pink color to make “r” stand out, which stands for “-er”.
I think the common point of Subway and Flickr is the utilization of color. Both of them are good at finding the best color combinations to demonstrate their brands.
The new and the old
Okay, so let’s talk about wordmarks. I am taking the approach of looking at the new and the classic. There are two minds to design in my opinion. There is the classic that gives the audience a sense of nostalgia. You know, like when we talk about America and we think of a woman with rolled hair putting an apple-pie on the windowsill. Then there are the new designs that give you the feeling of…Well I guess branding would be the best way to describe it. We look at “5” gum and we think of cool, sleek and even cold metal for the most part. That brings me to my first choice, the PS3 logo.
The reason I like this wordmark is because it’s both new and nostalgic in the same design. No I am not saying nostalgic like PS1, I mean true nostalgia. Think back in the days of IBM. We look at that old logo with the lines, and the line-printers, (and if you’re old enough) you think of the perforations in the paper. I don’t know about you, but I drove my mom crazy when I would throw those around the house.
Though back then, we looked at technology as a big box. It took up space, it was considered something powerful and should be revered. Smack one of your knucklehead kids if they even looked at it the wrong way.
Oh, so that just my childhood….awkward.
Though I digress. Computers and technology became so much more over the years. We stopped revering the technology, in the sense of, we didn’t buy giant furniture to house our huge floor-model televisions. Technology started adapting to us. That’s the sense that I get from the PS3 logo. The way the lines contour, they are saying that technology is sleek and flexible.
Like what audience?
Like humans.
Now I say this as I hate video games and don’t even own a PS3, but its a cool logo. Now let’s talk about real classics.
Oh Newsweek, let your print format rest in peace. I spoke about the nostalgia of certain things, and what it makes you feel just by looking at it. When I see Newsweek, I think, “Now this is NEWS. They mean business.” There is the old english script, which looks as if a scribe got high off the fumes and just went with it. But this Newsweek logo says something different. News has become efficient. Quick, clarity, and straight to the point. You get that by the block text, that the organization doesn’t have time for games. You get what you read. The news of the week. Though to me honestly; it says professionalism. Something that at times can be lost by our very creative (but sometimes overzealous) designers.
Less is more… Well thanks for reading.
TWL
Metalica and Dewalt wordmarks
I selected the Metallica wordmark because I think it does a very good job using the highly stylized M and A to evoke thoughts of edgy, metalic, sharp items like concertina wire, spear, fishhook or even lightning bolts, all of which embodies the style of the band’s electrifying heavy metal music.
I chose the Dewalt Tools wordmark for their simple, solid construction using all capital letters. I think the yellow and black that make up the wordmark are well chosen because they mirror the traditional color of larger construction machinery as well as safety and caution warnings typical to construction sites.
Dunkin’ Donuts and Ikea Wordmarks
When imagining a typical donut, the image in one’s head could (and should) be of a fat, perfectly circular (possibly iced) treat. Dunkin’ Donuts utilizes a rounded, bolded, sans-serif to achieve that image in their wordmark. Because the two words in Dunkin’ Donuts are perfect matches, it is effective to stack them. Through applying two different colors, orange and pink, Dunkin’ can also differentiate the two words, just like their two primary products – coffee and donuts.
Ikea, on the other hand, brands itself through interchanging the same two colors as its home country, Sweden’s, colors. Sweden and Scandinavia have a reputation for quality modern furniture and by creating a connection to their company, Ikea connotes the same reputation as other finer Scandinavian furniture stores. It is also important to note the thick-bodied letters and the tracking between the letters. There are minuscule serifs on the edges of the letters that can also add more character to the wordmark.